

The beginning of 2022, a new year, a new you, and perhaps you have a new resolution to read more? Or maybe, like us, you are disillusioned by resolutions but want to read more anyway. Short story collections entice you to dip in and out of the book, as and when you have time. And maybe you can up the challenge by reading a short story a day, as writer Mahesh Rao is doing!
Explore our favourite short stories around themes of travel, love, loss, memory, fear, and death that will resonate with you no matter who you are or where you're from.
From the acclaimed author of ‘Fates and Furies’, Lauren Groff’s award-winning ‘Florida’ is a collection of eleven gripping stories set in and around the landscape of Florida, with all its swamps, storms, and snakes. With a powerful sense of place and Groff’s beautifully distinct prose, ‘Florida’ examines the complexities of womanhood, loneliness, love, and loss.
Translated from Hindi by Laura Brueck, Ajay Navaria’s ‘Unclaimed Terrain’ is a work of Dalit literature that features a bold collection of short stories that explore spaces of ambiguity: of identity, morality, and politics. Populated by complex characters who occupy an ambiguous space between good and evil, these stories explore the harsh reality of the violence the caste system inflicts.
‘Polymorphism’ by Indira Chandreshakar, a Bangalore-based scientist, writer, and editor, offers a strange, mind-bending collection of short stories that explores the idea of transformation when it is forced upon us. It is a must-read for those who enjoy horror, science-fiction, and speculative fiction.
In ‘Lake Like a Mirror,’ Ho Sok Fong, a Malaysian author who writes in Chinese, tells the stories of women who live in modern-day Malaysia and struggle to fight against the oppression they face every day. In nine disturbing stories, translated by Natascha Bruce, Ho Sok Fong paints a brutally honest picture of women living in structures that trap them.
‘Preeto and Other Stories’, an anthology collected by Rakhshanda Jalil, explores how male writers in Urdu literature have viewed women. In the introduction, Jalil offers us context for the portrayal of women in these stories. There is a shifting lens through which the male writers portray these women—sometimes idealising them and their suffering, sometimes remaining unsympathetic. In a way, the stories serve as ‘time capsules’—a way to see the prevailing attitudes of the time they were written, as well as the individual quirks of each writer.
In Jayant Kalkani’s ‘No Presents Please: Mumbai Stories’, translated from Kannada by Tejaswini Niranjana, we meet people from all corners of the city in sixteen stories. A glimpse of the history and culture of Mumbai, and an intimate and careful portrayal of its people, ‘No Presents Please’ captures the beating heart of a city.
In Yoon Choi’s debut collection, ‘Skinship’, she tells us the stories of Korean American families scattered across the US. She writes of struggles unique to the immigrant experience, with delicate focus and exquisite prose. In exploring the clash between first and second generations, the weight of displacement, and the cracks in a relationship, these stories express a profound understanding of love, humanity, and intimacy.
Nisha Susan’s debut collection of short stories is searing and whimsical, exploring the connections between people, and the intimacy and violence that make up their relationships. With a keen focus on technology and the transformation of the digital landscape, these stories explore the feelings of a modern generation in contemporary India.
How a billionaire gained control over a city’s real estate—under the guise of slum redevelopment.
Read MoreIndia has suspended the Indus Water Treaty and threatened to disrupt Pakistan’s water supply.
Read MoreNew data suggests a distant planet may host alien life—but is the biosignature a load of bs?
Read MoreIn part two, we look at the mainstreaming of the Manosphere—and its spread to our shores.
Read More